{"id":4620,"date":"2019-11-04T08:22:08","date_gmt":"2019-11-04T08:22:08","guid":{"rendered":"https:\/\/www.satb.sk\/?p=4620"},"modified":"2019-11-04T09:32:44","modified_gmt":"2019-11-04T09:32:44","slug":"na-festivale-melos-etos-si-pridu-na-svoje-aj-nadsenci-vokalnej-tvorby-a-opery","status":"publish","type":"post","link":"https:\/\/www.satb.sk\/index.php\/2019\/11\/04\/na-festivale-melos-etos-si-pridu-na-svoje-aj-nadsenci-vokalnej-tvorby-a-opery\/","title":{"rendered":"Na festivale Melos-\u00c9tos si pr\u00eddu na svoje aj nad\u0161enci vok\u00e1lnej tvorby a\u00a0opery"},"content":{"rendered":"<h6 class=\"p1\"><em><strong><span class=\"s1\">15. ro\u010dn\u00edk Medzin\u00e1rodn\u00e9ho festivalu s\u00fa\u010dasnej hudby Melos-<\/span><span class=\"s2\">\u00c9<\/span><span class=\"s1\">tos prinesie v\u00a0d\u0148och\u00a08.-15. 11. 2019\u00a0do Bratislavy a\u00a0Pie\u0161\u0165an okrem desiatok in\u0161trument\u00e1lnych kompoz\u00edci\u00ed aj s\u00fa\u010dasn\u00fa vok\u00e1lnu a\u00a0opern\u00fa tvorbu v\u00a0podan\u00ed \u0161pi\u010dkov\u00fdch dom\u00e1cich i\u00a0zahrani\u010dn\u00fdch interpretov.<\/span><\/strong><\/em><\/h6>\n<p><!--more--><\/p>\n<p class=\"p3\"><span class=\"s2\">Jeden z prv\u00fdch a najprest\u00ed\u017enej\u0161\u00edch franc\u00fazskych s\u00faborov zameran\u00fdch na s\u00fa\u010dasn\u00fa hudobn\u00fa tvorbu <b>2e2m <\/b>sprostredkuje (9.11., Klarisky) n\u00e1v\u0161tevn\u00edkom diela <b>Georgesa Aperghisa<\/b>, ktor\u00fd je jedn\u00fdm z najsvojbytnej\u0161\u00edch a najpozoruhodnej\u0161\u00edch skladate\u013eov etabluj\u00facich sa po\u010das druhej polovice minul\u00e9ho storo\u010dia vo franc\u00fazskom umeleckom prostred\u00ed. Aperghisove s\u00f3lov\u00e9 a komorn\u00e9 vok\u00e1lne, resp. vok\u00e1lno-in\u0161trument\u00e1lne skladby\u00a0<i>Les sept crimes de l\u2019amour<\/i>\u00a0(1979),\u00a0<i>Simulacre I\u00a0 op. 97<\/i>\u00a0(1991) a\u00a0<i>R\u00e9citations op. 46<\/i>\u00a0(1978) sprostredkuj\u00fa posluch\u00e1\u010dom netradi\u010dn\u00e9 interpreta\u010dn\u00e9 i t\u00e9mbrov\u00e9 z\u00e1\u017eitky. <\/span><\/p>\n<p class=\"p1\"><span class=\"s2\">Ve\u013emi zauj\u00edmav\u00fdm Aperghisov\u00fdm dielom pre sopr\u00e1n s\u00f3lo je <b><i>R\u00e9citations op. 46. <\/i><\/b>Z\u00e1kladnou my\u0161lienkou tejto skladby je pr\u00e1ca so slabikami a fon\u00e9mami textu sp\u00f4sobom, akoby sam\u00e9 o sebe boli notami. Ka\u017ed\u00e1 zo \u0161trn\u00e1stich \u010dast\u00ed kladie na interpreta ve\u013ek\u00e9 n\u00e1roky. Na jednej strane na p\u00f3diu vid\u00edme spev\u00e1\u010dku realizuj\u00facu notov\u00fd z\u00e1pis skladby, na druhej strane sme svedkami toho, ako samotn\u00e1 skladba na \u0148u tla\u010d\u00ed svojou \u201ev\u00e1hou\u201c. Po\u010d\u00favame a sledujeme ju, ako nedok\u00e1\u017ee poriadne hovori\u0165, vyslovova\u0165 slov\u00e1, a ako ju n\u00e1ro\u010dnos\u0165 situ\u00e1cie doslova n\u00fati prekro\u010di\u0165 vlastn\u00e9 fyzick\u00e9 limity. Aj v ka\u017edodennom \u017eivote sme svedkami r\u00f4znorod\u00fdch individu\u00e1lnych \u013eudsk\u00fdch \u00fatrap. M\u00f4\u017eu to by\u0165 finan\u010dn\u00e9 alebo osobn\u00e9 probl\u00e9my, choroby, stres \u010di nedostatok \u010dohoko\u013evek. <i>R\u00e9citations<\/i> s\u00fa inkarn\u00e1ciou tak\u00fdchto situ\u00e1ci\u00ed na hudobnom p\u00f3diu.<\/span><\/p>\n<p class=\"p1\"><span class=\"s2\">V\u00a0\u00falohe sopranistky sa predstav\u00ed <\/span><span class=\"s1\"><b>Ang\u00e8le Chemin<\/b>, spev\u00e1\u010dka z <\/span><span class=\"s2\">franc\u00fazsko-americkej umeleckej rodiny, ktor\u00e1 spolupracovala<br \/>\ns mnoh\u00fdmi popredn\u00fdmi umelcami a s\u00fabormi ako Le Balcon, l&#8217;Ensemble Chrysalide, Les Voix anim\u00e9es a\u00a0\u010f. Od roku 2016 je reziden\u010dnou \u010dlenkou s\u00faboru Ensemble Maja, Singer-Polignac Foundation. Medzi in\u00fdm spievala <i>Sequenza III<\/i> L. Beria, <i>Pierrot Lunaire<\/i> A. Sch\u00f6nberga \u010di <i>Metamorphose<\/i> M. Levinasa na Musica Festival v \u0160trasburgu. Medzi jej \u010fal\u0161ie pozoruhodn\u00e9 particip\u00e1cie patr\u00ed rola Claudie v opere T. Bordaleja <i>Bureau 470<\/i> \u010di opera <i>Forge<\/i> G. Philippota v reme\u0161skej opere.<\/span><\/p>\n<figure id=\"attachment_4626\" aria-describedby=\"caption-attachment-4626\" style=\"width: 798px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"4626\" data-permalink=\"https:\/\/www.satb.sk\/index.php\/2019\/11\/04\/na-festivale-melos-etos-si-pridu-na-svoje-aj-nadsenci-vokalnej-tvorby-a-opery\/_joannafreszel\/\" data-orig-file=\"https:\/\/i1.wp.com\/www.satb.sk\/wp-content\/uploads\/2019\/11\/joannafreszel.jpg?fit=1000%2C667&amp;ssl=1\" data-orig-size=\"1000,667\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"_joannafreszel\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i1.wp.com\/www.satb.sk\/wp-content\/uploads\/2019\/11\/joannafreszel.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i1.wp.com\/www.satb.sk\/wp-content\/uploads\/2019\/11\/joannafreszel.jpg?fit=837%2C558&amp;ssl=1\" class=\"wp-image-4626\" src=\"https:\/\/i1.wp.com\/www.satb.sk\/wp-content\/uploads\/2019\/11\/joannafreszel.jpg?resize=798%2C532&#038;ssl=1\" alt=\"\" width=\"798\" height=\"532\" srcset=\"https:\/\/i1.wp.com\/www.satb.sk\/wp-content\/uploads\/2019\/11\/joannafreszel.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i1.wp.com\/www.satb.sk\/wp-content\/uploads\/2019\/11\/joannafreszel.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i1.wp.com\/www.satb.sk\/wp-content\/uploads\/2019\/11\/joannafreszel.jpg?resize=600%2C400&amp;ssl=1 600w, https:\/\/i1.wp.com\/www.satb.sk\/wp-content\/uploads\/2019\/11\/joannafreszel.jpg?resize=272%2C182&amp;ssl=1 272w, https:\/\/i1.wp.com\/www.satb.sk\/wp-content\/uploads\/2019\/11\/joannafreszel.jpg?w=1000&amp;ssl=1 1000w\" sizes=\"(max-width: 798px) 100vw, 798px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-4626\" class=\"wp-caption-text\"><em>Foto: Joanna Freszel<\/em><\/figcaption><\/figure>\n<p><span class=\"s2\">S\u00f3listkou koncertu <b>Quasars Esnemble <\/b>(10.11., Slovensk\u00fd rozhlas) bude po\u013esk\u00e1 sopranistka <b>Joanna Freszel<\/b>, ktor\u00e1 m\u00e1 za sebou \u00fa\u010dinkovanie na r\u00f4znych popredn\u00fdch festivaloch vr\u00e1tane Var\u0161avskej jesene, Aix-en-Provence, Contrechamps, Silesian Quartet &amp; Guests, Saaremaa Opera Days, Opera in the Town Hall Festival a\u00a0\u010f. Presl\u00e1vila sa \u00falohami Musetty v Pucciniho Boh\u00e9me, Venu\u0161e a Fr\u00fdgickej \u017eeny v Rameauovom Dardanovi, Fiordiligi v Mozartovej opere Cos\u00ec fan tutte a Margar\u00e9ty v Gounodovom Faustovi. Spolupracovala s mnoh\u00fdmi po\u013esk\u00fdmi a ukrajinsk\u00fdmi filharm\u00f3niami a hudobn\u00fdmi telesami, ako s\u00fa Sinfonia Iuventus, Capella Bydgostiensis, \u00f6sterreichisches ensemble f\u00fcr neue musik, Camerata Viva a AUKSO Orchestra.<\/span><\/p>\n<p class=\"p1\"><span class=\"s2\">Na festivale zaznie aj <strong>Mysteries of the Macabre<\/strong> z jedinej opery Gy\u00f6rgy Ligetiho s n\u00e1zvom <strong>Le Grand Macabre<\/strong>, na ktorej skladate\u013e s prest\u00e1vkami pracoval viac ne\u017e dve dek\u00e1dy a\u00a0zara\u010fuje sa k najv\u00fdznamnej\u0161\u00edm hudobn\u00fdm javiskov\u00fdm dielam 2. polovice 20. storo\u010dia. Predlohou k nej sa stala hra fl\u00e1msk\u00e9ho prozaika a dramatika Michela de Ghelderode s\u00a0n\u00e1zvom <i>Ballade de Grand Macabre<\/i> z roku 1934. Ide o jednu z typick\u00fdch autorov\u00fdch burleskn\u00fdch grotesiek s filozofick\u00fdm pozad\u00edm o akomsi konci sveta, poslednom s\u00fade, ktor\u00fd sa zvrhne do fra\u0161ky, plnej absurdn\u00fdch situ\u00e1ci\u00ed, v ktor\u00fdch si svoje miesto okrem in\u00e9ho n\u00e1jde aj politika a sex. Odohr\u00e1va sa v imagin\u00e1rnom Brueghellande, ktor\u00e9mu vl\u00e1dne detinsk\u00fd princ Go-Go spolo\u010dne s \u010diernym a bielym ministrom, resp. \u0161\u00e9fom tajnej pol\u00edcie. Nech\u00fdba v\u0161ak ani zamilovan\u00e1 dvojica \u010di tragikomick\u00fd Nekrotzar, symbolizuj\u00faci smr\u0165, ktor\u00fd sa chyst\u00e1 v\u0161etk\u00fdch pozab\u00edja\u0165, a pritom sa st\u00e1va jedin\u00fdm, kto v samotnom z\u00e1vere opery umiera. Samotn\u00fa operu otv\u00e1ra prehohra pln\u00e1 zvukov klaks\u00f3nov, aby ju po v\u0161etk\u00fdch nezmyseln\u00fdch peripeti\u00e1ch uzatv\u00e1ralo jasanie nad smr\u0165ou, vyjadren\u00e9 prostredn\u00edctvom tradi\u010dnej formy v\u00e1\u017enej passacaglie. Vok\u00e1lny prejav siaha od kolorat\u00farnych \u00e1ri\u00ed a\u017e po najabsurdnej\u0161ie prejavy hovoren\u00e9ho slova. <\/span><\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"837\" height=\"471\" src=\"https:\/\/www.youtube.com\/embed\/evRO9ON_AHw?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=sk-SK&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/p>\n<p class=\"p1\"><span class=\"s2\">Highligtom 15. ro\u010dn\u00edka festivalu Melos-\u00c9tos je video-opera <b><i>An Index of Metals<\/i><\/b><\/span><span class=\"s1\">\u00a0pre sopr\u00e1n, ans\u00e1mbel, multimedi\u00e1lnu projekciu a\u00a0elektroniku od <b>Fausta Romitelliho <\/b>(11.11., Slovensk\u00fd rozhlas). Dielo je opusom derni\u00e8re dokon\u010den\u00fdm pred jeho pred\u010dasnou smr\u0165ou. Je v\u00fdsledkom spolupr\u00e1ce viacer\u00fdch umelcov &#8211; autorom videoprojekcie je Paolo Pachini a Leonardo Romoli. Libreto poch\u00e1dza z pera chorv\u00e1tskej spisovate\u013eky Kenky L\u00e8kovich. Predlohou je po\u00e9ma METALSUSHI o troch \u010dastiach: HELLUCINATION I (drowningirl), HELLUCINATION II (risingirl), HELLUCINATION III (earpiercingbells). Obraz a hudba napodob\u0148uj\u00fa fyzik\u00e1lne vlastnosti kovov\u00fdch povrchov: iridescenciu (jav, pri ktorom sa na ur\u010dit\u00fdch kovov\u00fdch povrchoch jav\u00ed premena farby pri zmene zorn\u00e9ho uhla alebo uhla osvietenia), kor\u00f3ziu, plastick\u00e9 deform\u00e1cie, zlomy, \u017eiar a soliz\u00e1ciu. Hlavn\u00fdm Romitelliho z\u00e1merom bolo vytvorenie zvukov\u00e9ho diela, ktor\u00e9 op\u00edsal ako \u201eroz\u017eeraven\u00fd svetelno-s\u00f3nick\u00fd materi\u00e1l, magmatick\u00e9 pr\u00fady zvuku, tvarov a farieb.\u201c <\/span><\/p>\n<p class=\"p3\"><span class=\"s2\">Interpretom video-opery bude zoskupenie desiatich s\u00f3listov <b>PHACE Ensemble<\/b>, ktor\u00fd u\u017e mnoho rokov predstavuje netradi\u010dn\u00e9 koncerty, hudobno-divadeln\u00e9 produkcie a interdisciplin\u00e1rne projekty. Ans\u00e1mbel premi\u00e9roval viac ako 200 diel a ka\u017edoro\u010dne vystupuje v najd\u00f4le\u017eitej\u0161\u00edch medzin\u00e1rodn\u00fdch koncertn\u00fdch s\u00e1lach a na festivaloch ako Avignon Festival, Berliner Festspiele, Elbphilharmonie Hamburg, King&#8217;s Place London a mnoh\u00e9 \u010fal\u0161ie. Dirigentskej taktovky sa ujme \u0161panielsky dirigent <b>Nacho de Paz<\/b> a ako s\u00f3listka sa predstav\u00ed americk\u00e1 sopranistka\u00a0<b>Daisy Press<\/b>, ktor\u00e1 sa venuje interpret\u00e1cii a tvorbe experiment\u00e1lnej hudby<br \/>\nv USA a Eur\u00f3pe. Spolupracovala s vplyvn\u00fdmi skladate\u013emi Steve Reich, Bernhard Lang a George Crumb a v s\u00fa\u010dasnosti je hlavnou vokalistkou notoricky zn\u00e1meho Brooklinsk\u00e9ho domu House of Yes.<\/span><\/p>\n<div class=\"embed-vimeo\" style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/332534284\" width=\"837\" height=\"471\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/div>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"837\" height=\"471\" src=\"https:\/\/www.youtube.com\/embed\/j9XkS7-9zSM?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=sk-SK&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/p>\n<p class=\"p9\"><span class=\"s2\">Nemenej zauj\u00edmav\u00fdm bude aj uvedenie skladby <b>Gy\u00f6rgy Kurt\u00e1ga <\/b>s\u00a0n\u00e1zvom <\/span><span class=\"s1\"><b><i>Kafka-Fragmente<\/i> <\/b>(12.11., Klarisky<b>)<\/b>. Dielo patr\u00ed k skladate\u013eov\u00fdm najrozsiahlej\u0161\u00edm dielam, a z\u00e1rove\u0148 m\u00e1 najviac miniat\u00farnych oddelen\u00fdch dielov \u2013 fragmentov. Hudba pracuje s pam\u00e4\u0165ou posluch\u00e1\u010da, ktor\u00fd spolu s dielom plynie od jeho za\u010diatku a\u017e po koniec. Skladate\u013e m\u00e1 svoje vlastn\u00e9 sp\u00f4soby, ako naklada\u0165 so stru\u010dnos\u0165ou, pri\u010dom nie v\u017edy je jej pr\u00edznakom kr\u00e1tkos\u0165 kompoz\u00edcie. Webernove hudobn\u00e9 aforizmy, Feldmanova striedmos\u0165 pri striedan\u00ed t\u00f3nov a ticha na ve\u013ek\u00fdch ploch\u00e1ch, stockhausenovsk\u00e1 momentov\u00e1 forma s jej n\u00e1stojen\u00edm na jedinom momente, kurt\u00e1govsk\u00e9 minuci\u00f3zne vypracovanie detailu &#8211; to v\u0161etko s\u00fa pr\u00edklady stru\u010dnosti v hudbe a z\u00e1rove\u0148 prejavy kr\u00edzy viery v \u00faplnos\u0165 v hudbe, ako sme ju poznali zo star\u0161\u00edch \u010dias.<\/span><\/p>\n<p class=\"jetpack-slideshow-noscript robots-nocontent\">T\u00e1to prezent\u00e1cia vy\u017eaduje JavaScript.<\/p><div id=\"gallery-4620-1-slideshow\" class=\"slideshow-window jetpack-slideshow slideshow-black\" data-trans=\"fade\" data-autostart=\"1\" data-gallery=\"[{&quot;src&quot;:&quot;https:\\\/\\\/i1.wp.com\\\/www.satb.sk\\\/wp-content\\\/uploads\\\/2019\\\/11\\\/SUSKOVA_EVA_foto_Boris_Nemeth_001.jpg?fit=5760%2C3840\\u0026ssl=1&quot;,&quot;id&quot;:&quot;4624&quot;,&quot;title&quot;:&quot;SUSKOVA_EVA_foto_Boris_Nemeth_001&quot;,&quot;alt&quot;:&quot;&quot;,&quot;caption&quot;:&quot;Sopranistka Eva \\u0160u\\u0161kov\\u00e1, Foto: Boris N\\u00e9meth&quot;,&quot;itemprop&quot;:&quot;image&quot;},{&quot;src&quot;:&quot;https:\\\/\\\/i1.wp.com\\\/www.satb.sk\\\/wp-content\\\/uploads\\\/2019\\\/11\\\/Milan_Pala_20190201_040.jpg?fit=2000%2C1333\\u0026ssl=1&quot;,&quot;id&quot;:&quot;4623&quot;,&quot;title&quot;:&quot;Milan_Pala_20190201_040&quot;,&quot;alt&quot;:&quot;&quot;,&quot;caption&quot;:&quot;Huslista Milan Pa\\u013ea&quot;,&quot;itemprop&quot;:&quot;image&quot;}]\" itemscope itemtype=\"https:\/\/schema.org\/ImageGallery\"><\/div>\n<p class=\"p10\"><span class=\"s2\">Kurt\u00e1govu tvorbu publiku predstav\u00ed v\u00a0sprievode vynikaj\u00faceho huslistu <b>Milana Pa\u013eu<\/b> sopranistka a zanieten\u00e1 propag\u00e1torka slovenskej hudby a diel s\u00fa\u010dasn\u00fdch slovensk\u00fdch skladate\u013eov <b>Eva \u0160u\u0161kov\u00e1<\/b>. Spev\u00e1\u010dka v opern\u00fdch domoch a na zahrani\u010dn\u00fdch sc\u00e9nach stv\u00e1rnila nieko\u013eko v\u00fdznamn\u00fdch post\u00e1v (Tatiana, Desdemona, Rusalka, Suzel, Fiordiligi) a sc\u00e9nicky na\u0161tudovala monodr\u00e1my Sch\u00f6nberga Pierrot Lunaire a The Raven od Toshia Hosokawu. <\/span><\/p>\n<p class=\"p1\"><span class=\"s2\">V \u00falohe re\u017eis\u00e9rky sa predstav\u00ed <b>Sl\u00e1va Daubnerov\u00e1<\/b>, zakladate\u013eka profesion\u00e1lnej divadelnej platformy pod n\u00e1zvom P.A.T., ktor\u00e1 sa u\u017e od roku 2006 orientuje v\u00fdlu\u010dne na s\u00fa\u010dasn\u00e9 divadlo a tanec s vyu\u017e\u00edvan\u00edm nov\u00fdch m\u00e9di\u00ed. <\/span><span class=\"s6\">Je nosite\u013ekou prest\u00ed\u017enych ocenen\u00ed a jej inscen\u00e1cie \u2013 performance boli pravidelne prezentovan\u00e9 na prest\u00ed\u017enych dom\u00e1cich festivaloch a reprezentovali Slovensko aj v\u00a0zahrani\u010d\u00ed (USA, Rusko, Taliansku, Nemecko, Po\u013esko, Ju\u017en\u00e1 K\u00f3rea, Arm\u00e9nsko a\u00a0\u010f.).<\/span><\/p>\n<h4 class=\"p12\" style=\"text-align: center;\"><a href=\"http:\/\/www.ticketportal.sk\" target=\"_blank\" rel=\"noopener\"><span class=\"s2\"><b>PREDPREDAJ VSTUPENIEK<br \/>\nV SIETI TICKETPORTAL<\/b><\/span><\/a><\/h4>\n<p>Viac inform\u00e1cii o koncertoch festivalu n\u00e1jdete na\u00a0<strong><a href=\"http:\/\/www.melosetos.sk\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"www.melosetos.sk (opens in a new tab)\">www.melosetos.sk<\/a>.<br \/>\n<a href=\"https:\/\/www.facebook.com\/MELOS-ETHOS-International-Festival-of-Contemporary-Music-181231641680\/\" target=\"_blank\" rel=\"noopener\">Facebook Melos-\u00c9tos<\/a><\/strong><\/p>\n<p>Pripravila: Veronika \u0160tub\u0148ov\u00e1<br \/>\nFoto: Festival Melos-\u00c9tos<\/p>\n","protected":false},"excerpt":{"rendered":"<p>15. ro\u010dn\u00edk Medzin\u00e1rodn\u00e9ho festivalu s\u00fa\u010dasnej hudby Melos-\u00c9tos prinesie v\u00a0d\u0148och\u00a08.-15. 11. 2019\u00a0do Bratislavy a\u00a0Pie\u0161\u0165an okrem desiatok in\u0161trument\u00e1lnych kompoz\u00edci\u00ed aj s\u00fa\u010dasn\u00fa vok\u00e1lnu a\u00a0opern\u00fa tvorbu v\u00a0podan\u00ed \u0161pi\u010dkov\u00fdch dom\u00e1cich i\u00a0zahrani\u010dn\u00fdch interpretov.<\/p>\n","protected":false},"author":1,"featured_media":4638,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[22],"tags":[],"class_list":["post-4620","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-podujatia"],"aioseo_notices":[],"jetpack_featured_media_url":"https:\/\/i2.wp.com\/www.satb.sk\/wp-content\/uploads\/2019\/11\/melos-etos-fb-cover-final-1640-x-624-9.10.2019.jpg?fit=1640%2C624&ssl=1","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pav5wC-1cw","jetpack-related-posts":[{"id":5732,"url":"https:\/\/www.satb.sk\/index.php\/2021\/04\/30\/premiera-aj-napriek-pandemii\/","url_meta":{"origin":4620,"position":0},"title":"Premi\u00e9ra aj napriek pand\u00e9mii","date":"30 apr\u00edla, 2021","format":false,"excerpt":"Vypo\u010dujte si virtu\u00e1lnu premi\u00e9ru v podan\u00ed spev\u00e1ckeho zboru Gaudeamus z\u00a0Pre\u0161ova. Diev\u010densk\u00fd spev\u00e1cky zbor Gaudeamus p\u00f4sob\u00ed v\u00a0Pre\u0161ove v r\u00e1mci Strednej odbornej \u0161koly pedagogickej. Zbor patr\u00ed ku jedn\u00e9mu z\u00a0m\u00e1la stredo\u0161kolsk\u00fdch zborov, ktor\u00e9 na Slovensku e\u0161te m\u00e1me. Tak ako v\u00e4\u010d\u0161ina zborov\u00fdch spev\u00e1kov, aj \u010dlenky zboru Gaudeamus museli kv\u00f4li pand\u00e9mii o\u017eelie\u0165 svoje n\u00e1cviky. Ke\u010f\u017ee\u2026","rel":"","context":"V &quot;AKTU\u00c1LNE&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.satb.sk\/wp-content\/uploads\/2021\/04\/180344554_10219820383640561_982615669234692018_n-e1619788080274.jpeg?fit=883%2C571&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4741,"url":"https:\/\/www.satb.sk\/index.php\/2019\/12\/01\/adventny-kalendar-2019\/","url_meta":{"origin":4620,"position":1},"title":"Adventn\u00fd kalend\u00e1r 2019","date":"1 decembra, 2019","format":false,"excerpt":"Aj tento rok sme pre v\u00e1s pripravili adventn\u00fd kalend\u00e1r so zauj\u00edmav\u00fdmi skladbami. Nechajte sa in\u0161pirova\u0165 na\u0161im adventn\u00fdm v\u00fdberom. Ka\u017ed\u00fd de\u0148 po\u010das adventu v\u00e1m predstav\u00edme jednu skladbu s viano\u010dnou t\u00e9matikou, ktor\u00e1 obohat\u00ed v\u00e1\u0161 viano\u010dn\u00fd reperto\u00e1r.\u00a0Skladby bud\u00fa ur\u010den\u00e9 pre r\u00f4zne typy spev\u00e1ckych zborov - pre detsk\u00e9 a ml\u00e1de\u017en\u00edcke zbory, \u017eensk\u00e9 i mu\u017esk\u00e9\u2026","rel":"","context":"V &quot;ADVENTN\u00dd KALEND\u00c1R 2019&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.satb.sk\/wp-content\/uploads\/2019\/12\/Add-a-heading.png?fit=1200%2C578&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4596,"url":"https:\/\/www.satb.sk\/index.php\/2019\/11\/03\/spevom-dojali-krajanov-i-potomkov-slovakov\/","url_meta":{"origin":4620,"position":2},"title":"Spevom dojali krajanov i potomkov Slov\u00e1kov","date":"3 novembra, 2019","format":false,"excerpt":"Spev\u00e1ci z mesta Humenn\u00e9 vycestovali zaspieva\u0165 si so svojimi izraelsk\u00fdmi kolegami. Po\u010das nieko\u013ek\u00fdch dn\u00ed spievali pre ve\u013evyslanca, pre krajanov \u017eij\u00facich v zahrani\u010d\u00ed i pre potomkov Slov\u00e1kov, ktor\u00ed pri\u0161li do Izraela po\u010das druhej svetovej vojny. Spev\u00e1cky zbor mesta Humenn\u00e9 u\u017e 17 rokov organizuje festivalov\u00e9 koncerty pod n\u00e1zvom \"Hudba - k\u013e\u00fa\u010d k\u2026","rel":"","context":"V &quot;AKTU\u00c1LNE&quot;","img":{"alt_text":"","src":"https:\/\/i1.wp.com\/www.satb.sk\/wp-content\/uploads\/2019\/11\/20191018_151552.jpg?fit=1200%2C583&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4244,"url":"https:\/\/www.satb.sk\/index.php\/2019\/07\/19\/taliansky-festival-ocami-spevackeho-zboru-apollo\/","url_meta":{"origin":4620,"position":3},"title":"Taliansky festival o\u010dami spev\u00e1ckeho zboru Apollo","date":"19 j\u00fala, 2019","format":false,"excerpt":"Spev\u00e1cky zbor Apollo sa ned\u00e1vno z\u00fa\u010dastnil zborov\u00e9ho festivalu InCanto Mediteraneo 2019 v malebnom meste na Sic\u00edli\u00ed. Pre\u010d\u00edtajte si ako festival prebiehal a ako sa Apollu darilo na s\u00fa\u0165a\u017ei v medzin\u00e1rodnej konkurencii. Medzin\u00e1rodn\u00e9 s\u00fa\u0165a\u017en\u00e9 festivaly s\u00fa pre spev\u00e1cke zbory v\u017edy ve\u013ekou v\u00fdzvou. S\u00fa ak\u00fdmsi kontaktom s\u00a0realitou vok\u00e1lnej vyspelosti zborov za hranicami\u2026","rel":"","context":"V &quot;AKTU\u00c1LNE&quot;","img":{"alt_text":"","src":"https:\/\/i2.wp.com\/www.satb.sk\/wp-content\/uploads\/2019\/07\/IMG_0411b.jpg?fit=1200%2C674&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":5680,"url":"https:\/\/www.satb.sk\/index.php\/2021\/02\/07\/spievanie-v-zbore-z-pohodlia-obyvacky\/","url_meta":{"origin":4620,"position":4},"title":"Spievanie v zbore z pohodlia ob\u00fdva\u010dky","date":"7 febru\u00e1ra, 2021","format":false,"excerpt":"Online zborov\u00e1 kni\u017enica spev\u00e1ckeho zboru Technik STU. Je to u\u017e takmer rok, \u010do svet zasiahla pand\u00e9mia koronav\u00edrusu. T\u00e1 v\u00fdrazne skomplikovala aj n\u00e1cviky spev\u00e1ckych zborov a aj preto viacer\u00e9 z nich u\u017e takmer rok nemali spolo\u010dn\u00fa sk\u00fa\u0161ku. 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Dokonca si pre svoju \"viano\u010dn\u00fa\u2026","rel":"","context":"V &quot;ADVENTN\u00dd KALEND\u00c1R 2021&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.satb.sk\/wp-content\/uploads\/2021\/12\/7.-Nativity-Carol_AK21_web.png?fit=1200%2C450&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.satb.sk\/index.php\/wp-json\/wp\/v2\/posts\/4620"}],"collection":[{"href":"https:\/\/www.satb.sk\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.satb.sk\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.satb.sk\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.satb.sk\/index.php\/wp-json\/wp\/v2\/comments?post=4620"}],"version-history":[{"count":9,"href":"https:\/\/www.satb.sk\/index.php\/wp-json\/wp\/v2\/posts\/4620\/revisions"}],"predecessor-version":[{"id":4663,"href":"https:\/\/www.satb.sk\/index.php\/wp-json\/wp\/v2\/posts\/4620\/revisions\/4663"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.satb.sk\/index.php\/wp-json\/wp\/v2\/media\/4638"}],"wp:attachment":[{"href":"https:\/\/www.satb.sk\/index.php\/wp-json\/wp\/v2\/media?parent=4620"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.satb.sk\/index.php\/wp-json\/wp\/v2\/categories?post=4620"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.satb.sk\/index.php\/wp-json\/wp\/v2\/tags?post=4620"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}